An empowering, thought-provoking feminist novel that will change the way you see the world. Perfect for fans of Elizabeth Day, Claire Fuller and Joanna Cannon.
1968. Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues’ failure to take her seriously. And then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women’s equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change.
Fifty years later, Leonie is gone, and Veronica leads a reclusive life. Her groundbreaking career was cut short by one of the most famous photographs of the twentieth century.
Now, that controversial picture hangs as the centrepiece of a new feminist exhibition curated by Leonie’s niece. Long-repressed memories of Veronica’s extraordinary life begin to stir. It’s time to break her silence, and step back into the light.
The Woman in the Photograph takes the reader on a journey exploring the development of feminism in the UK from the 1960’s to the present day. It is innovative, thought-provoking, imaginative and moving. By following the career of Veronica we live fifty years of social history, charting the changing roles of women and discovering how far they have come yet how far they still have to go. The ‘descriptions’ of photographs that Veronica takes at key moments in feminist history give a real snapshot (pun intended!) of a particular time and place and are a testament to the authors descriptive writing and the clarity of her well-drawn characters.
Ms Butland has conducted in depth research for this novel which is crammed with information yet is never wordy or didactic, instead the reader experiences those years through the eyes of three very different women – Veronica, Leonie, and Erica – and is drawn into their lives and loves, their hopes and fears, their successes and failures. The Woman in the Photograph is unapologetic in this focus on the individual in the feminist movement but should not be seen as a simple history, it is so much more than that. This novel is also about the human heart with love and loss at its centre.
I must admit that when I first picked up The Woman in the Photograph I was not sure if it was for me, fearing that it might attempt be too moralistic and push feminism on the reader, but that is not the case. If you take the trouble to pick up this book you will certainly learn about the history of feminism but also enjoy a jolly good read.
The Woman in the Photograph is available on Amazon
Coco Chanel is a name recognised the world over as the French fashion designer and business woman who founded the global brand which carries her name. There have been questions since the end of the Second World War about her links with Germany during the conflict, particularly her liaison with German diplomat Hans Gunther von Dincklage. So how much of this was true and how much mere rumour?
Gabrielle ‘Coco’ Chanel was born in 1883 to a poor family; her mother died of TB when she was 12 and her father sent her and her two sisters to live in an orphanage at the convent of Aubazine where Chanel learnt how to sew, something which was to influence the whole of her life. When she was 18 the young Gabrielle moved to a Catholic girls boarding house in Moulins where she earned her living as a seamstress; she also liked to sing in cabaret, and it was whilst doing this that she got the nickname ‘Coco’.
In the years between the wars Chanel had a couple of love affairs with wealthy and influential French aristocrats. She always wanted to be at the height of fashion and so designed her own hats; from that humble beginning she moved on to open her own boutiques in Deauville (which was the fashion centre of the ‘Roaring Twenties’) and Biarritz. Her boutiques, funded by her wealthy lovers, sold hats and fashionable clothing. The poor young girl who grew up in a Catholic orphanage now mixed with politicians and aristocrats from across Europe including Hugh Grosvenor, the Duke of Westminster, and it was at this time that she met and became friends with Winston Churchill.
In 1924, Chanel was looking to expand her empire and reach by putting her new perfume on the global market but she needed financial backing to do this. Chanel was introduced to Jewish businessmen and brothers Pierre and Paul Wertheimer who invested heavily in Parfums Chanel, taking the majority of the stock for themselves and another business partner whilst leaving Chanel with just a 10% stake in the company. As her company grew Chanel met and fell in love with Paul Iribe and, during their relationship, she financed his controversial journal Le Temoin (The Witness) which was an extremely xenophobic, ultra-nationalist, and racist publication. Chanel was heartbroken when Iribe died of a heart attack.
At the outbreak of war in September 1939 Coco Chanel surprised everyone by closing her businesses and putting her 2,500 employees out of work. As the German Blitzkrieg forged its way through northern Europe Chanel moved to the Pyrenees for safety whilst the Jewish Wertheimers chose to go into exile, but before doing so they placed Parfums Chanel in the hands of a trusted friend, the Christian business man Felix Amiot. The Wertheimer’s ship sailed for New York just a few days before France fell to the Germans, and as they moved further away from France Chanel returned to Paris where she moved into the Ritz hotel which was the place where most of the highest ranking
German military staff preferred to stay, and where she had an affair with Hans Gunther von Dincklage.
Chanel still felt cheated by the Wertheimers and resented the fact that she only held a 10% share in her famous perfume; when she heard that the brothers were now producing No 5 in America she was furious and wanted to get revenge. Chanel decided to use the Aryanisation laws to take control of the company – after all she was Aryan whilst the Wertheimer’s were Jewish and so, by law, had no rights of ownership over Parfums Chanel. On 5th May 1941 Coco wrote to the government department charged with disposing of Jewish financial assets to say that Parfums Chanel was still the property of Jews who had legally abandoned it. She claimed that she had never received a fair share of the profits from the company and felt that the department could now compensate her for that. In the initial legal review Amiot was able to show that he had gained control of the company from the Wertheimers through legal means, but the company was still declared Jewish, partly thanks to a friend of Chanel’s who sat on the board. The next step for Chanel was to write to the Commissioner General for Jewish Questions asking for all shares and control of all the Wertheimer’s perfume companies (not only Chanel) be given to her. Amiot had an aviation business before the war and was now working with Junkers to provide planes for the Germans (he used this link as a means to save his workers from being sent to Germany in forced labour units whilst at the same time helping to finance a resistance group working with the British). When it came to choosing between a man supplying bombers for the Luftwaffe and a female fashion designer the Germans found in Amiot’s favour.
This was a resounding defeat for Coco Chanel, and it was at this point that she appears to have begun working for von Dincklage at the Abwher (the German intelligence service in which von Dincklage was highly placed in Paris) in return for his help in trying to regain control of Parfums Chanel. The influential German agent who was also her lover gave Chanel the Agent number F7124 and code name Westminster (after her lover from before the war). It was late 1943 and the Germans were losing ground on all fronts so von Dincklage first took Chanel to Berlin to meet Walter Shellenberg who was head of the SD, the Nazi party’s intelligence agency. Schellenberg was Himmler’s right-hand man and wanted to negotiate peace with the British whilst still continuing the war against Russia and America. In November 1943 Chanel was sent to Madrid on Operation Modelhut (Operation Model Hat) to use her connection with Churchill to convince him to end the war on terms set by Hitler. Chanel and Churchill had been close friends in the 1920’s so she had every expectation that she would at the very least be able to have personal communications with him. However, Chanel’s close friend, Vera Lombardi , also knew Churchill and informed the British that Chanel was a Nazi agent, effectively ending any chance that Coco had of success in her mission – Chanel wrote a number of letters to Churchill, but as she had been denounced he didn’t answer any of them. Coco returned to Paris in January 1944.
Chanel’s relationship with von Dincklage was no secret, and the Free France Secret Services seem to have known about the work that she was doing for him. When Paris was liberated on 25th August 1944 citizens sought out any collaborators, particularly women who had had relationships with the Germans. Just four days later, on 29th August 1944 two FFI resistance fighters arrested Chanel at the Ritz and she was questioned by the Free French Purge Committee about her work as a German agent. It has been implied that Churchill remembered their previous friendship and intervened with de Gaulle, for she was released after just two hours questioning, and in September 1944 Chanel re-joined von Dincklage in Switzerland. In 1949 Chanel once more faced questions about how she used the anti-semite laws to try to gain control of Parfums Chanel from the Wertheimer brothers, her relationship with von Dincklage, and her work for the Abwher, but denied all accusations against her. Chanel continued to live with von Dincklage until the mid 1950’s. She returned to Paris in 1954 and reopened her couture business with help from her friend Pierre Wertheimer, the man she had sought to destroy during the war but who was now reconciled to her (Amiot had returned the company to the Wertheimers at the end of the war). The fashion business of Coco Chanel prospered as never before.
Coco Chanel, who died in 1971, is one of a number of French artists who were accused of collaborating with the Nazis during the Second World War – including Maurice Chevalier, Jean Cocteau, Sacha Guitry and Edith Piaf. So what was she? A shrewd businesswoman and opportunist, or an active collaborator? It was not until 2014 when French intelligence agencies declassified a number of documents that it was finally confirmed that Coco Chanel had worked as a spy for the Germans during the Second World War. On example from the French Defense Ministry’s archives showed that France’s secret services had suspicions about Chanel’s Nazi connections at the time:
Another example comes from Hal Vaughan’s book ‘Sleeping with the Enemy: Coco Chanel’s Secret War’. He spent a lot of time reviewing American, German, French, and British archives, and says that Abwehr Agent 7124 whose code name was ‘Westminster’ went on missions around Europe to recruit new agents for the Third Reich, travelling to Spain with Baron Louis de Vaufreland, a Frenchman who worked as an agent for the Germans; his job was to find people who could be recruited or coerced to spy for Germany, and as Chanel knew the British ambassador to Spain she went with him as cover, and to offer him introductions.
After the publication of Hal Vaughan’s book a spokesperson for the Chanel company said that “Such insinuations cannot go unchallenged. She would hardly have formed a relationship with the family of the owners (the Wertheimers) or counted Jewish people among her close friends and professional partners such as the Rothschild family, the photographer Irving Penn or the well-known French writer Joseph Kessel had these really been her views. It is unlikely…We also know that she and Churchill were close friends for a long time. She apparently approached him about acting as an intermediary between the Allies and the Germans for a peace settlement known as Operation Modelhut. No one knows for sure exactly what happened or what her role was to be. There are several different versions and it will no doubt always remain a mystery.”
So I leave you with a question…Did Coco Chanel really support the Nazi cause or did she just do what she thought was necessary to retain her company in a time of war? Two things remain of interest to me. The first is her pre-war funding of Le Temoin which appears to show anti-semitic tendancies on her part. The second is the details of her relationship with General Walter Schellenberg who was chief of the German intelligence agency Sicherheitsdienst (Security Service) and the military intelligence spy network Abwehr (Counterintelligence) in Berlin and who sent Chanel on her mission to Madrid. Schellenberg was tried by the Nuremberg Military Tribunal at the end of the war and sentenced to six years’ imprisonment for war crimes; he was released in 1951 because he had an incurable liver disease. It is interesting to note that Chanel paid for his medical care and living expenses, supported his wife and family, and paid for Schellenberg’s funeral when he died – make of that what you will.